On this Friday's Deep End, we'll be including a mini-set of songs from the 60s inspired by Marat/Sade, (full title: The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade), a deranged Brechtian satirical play that became an equally deranged movie that launched the career of Glenda Jackson. A piece taking in subjects like madness, revolution, authoritarianism and decadence was bound to resonate with a wide variety of characters on the 60s rock scene. First we have the classically trained folksinger Judy Collins with a medley of musical numbers from the play itself. The shocking, angry lyrics clash perfectly with the genteel chamber music accompanying them. Then comes "The Red Telephone", by the LA band Love, whose leader Arthur Lee seized on the chant of the mob in the mental hospital, "We're all normal and we want our freedom!" as the climax to his epic song of dread from the band's masterpiece, Forever Changes. Finally, the Bonzo Dog Doo Dah Band throw out their own soundcollage/anthem, "We Are Normal," which takes a completely different approach to the same quote.
Marat/Sade, worth seeing:
Judy's take on it, as relevant as ever:
Arthur Lee and Love, essential listening:
The Bonzos, the missing link between the Who and Monty Python:
1 comment:
I saw an odd Czech art piece of Marat/Sade in which most of the dialogue was obscured by a licensed sexologist explaining the context in which perverts might be committed...
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